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| "Un Miracolo!" |
Get ready, for here it comes! The long-awaited (and inevitable) treatise tsunami over the 2022 Italian grape harvest. Just like the ubiquitous dissertations on the perfect Thanksgiving wine or the vaulted Springtime piece on the gaggle of new rosé wines. Why do we love these so? Too many scribes today are looking for the easy-layout, the slam dunk, the no-brainer, when it comes to content. The 21st century has broken everything, and the internet leads the way, always and in every way. So, let’s get ready for a plethora of boilerplate and an avalanche of cliché, with regards to the 2022 harvest. It will be epic!






It doesn’t seem like eight years has passed since we entered the new millennium in 2001, but it has. It was the beginning of a very difficult time; my wife Liz passed away in Feb 2001, the political process started to change and the world changed with it. September 11 showed up on the world’s doorstep, and many of us have been taking it one day at a time, hoping for better days to come.
Ever since the time I attempted to simultaneously sell a Tuscan Novello and a Vernaccia di Serrapatrona, that would have been about this time in 1984, I have wondered why Italian wines chose me. Not just me, but for some of the hard stuff, I sure have had my share of those assignments. Driving around with a delivery van full of baby Sangiovese alongside a quirky, dry, foamy red wine made by a madman in the hills of the Marche. What was I thinking then? Even now it sounds bizarre. Don Quixote, only this time we weren’t looking for windmills. We were looking for space stations for these special travelers. And in honor of those two wines, in the 2001 of our little story here, we have an homage: Novello Di Ascoli, a modern wine about
Chianti: 2001 was a little project that went beyond Chianti 2000. I’m not sure if people realize the first Italian in space was Sangiovese. A little known experiment resulted in growing and harvesting the grapes aboard the International space station. Limited release, only about 20 cases, hydroponically grown. It was intended to test the ideas of extra-terroirestrial winegrowing. It is an amazing red wine, without the pull of gravity and ratings. No, only the influence of the astro-agronomist-winemaker, an American of Italian descent. It challenges the limitations of the Italian wine trail that we terrestrials put on it. Buckminster Fuller said, “Whatever nature lets you do is natural.” I wish all of you could have tried it with me. But alas, a quick trip to Washington D.C., some time ago, was the only opportunity any of us will have. But there will be more. Watch for a sparkling wine to come, made in zero gravity, called Zero-Zero. No dirt on their space-boots, but lots of ardent advances orbiting above us.
Down in the Cilento National Park, there is a colony of Italians who speak Esperanto. They escaped the area around Vesuvius many years ago and decided to leave behind their dialect. But they took their grapes with them and started making a red wine for the new millennium, to coalesce their past with their future. It is a cult wine on the islands around Naples and further south. I have only seen and had it once, from a private cellar in Panarea. The wine reminded me of the reds made by Galardi. I have heard people say they have traded two bottles of Le Pin for one bottle of “Vulkano” Campania Ruga. I have tried both wines. I would say two bottles of Le Pin for one from the Esperantani’s is a fair deal.
About 11 years ago, in a place near Colfiorito, there was a terrible earthquake. When they got to digging out some of the buildings, rescue workers found a lab book from a vineyardist, describing a project code-named “Il Grifi”. The project, like its name, had as its goal to combine three grapes to make a new wine. Here the vineyardist had been researching, via recombinant DNA, the creation of a wine that had as its parents, Sangiovese, Sagrantino and Montepulciano. And yes, for many years in Umbria and the Marche, winemakers have blended these grapes together to make various wines. William Sylvester, who starred in the Stanley Kubrick film, had made a film in Italy and was fascinated with this area and with wine. So he funded this little known experimentalist. Italy loves to resuscitate ancient things: statues, grapes, legends. In this case, as we headed back to 2001, we discovered that the wine had finally been made, in minute quantities. An amazing wine, combining the ephemeral verve of Sangiovese, the tannic and alcoholic power of the Sagrantino and the lubriciousness of the Montepulciano. Joy upon joy, an almost perfect wine in time for the new age. But alas, only one year was made and only 1113 bottles. They were mostly served at an autumn Sagra in Colfiorito for the special red potato named after the area, which makes the most wonderful base for the local gnocchi. The wine disappeared into memory, along with the best gnocchi I had ever had. The wine? Sangrapulciano.
Two wines, Navicella and Passeggiata, were “good soul” efforts to make right the promise to reach the moon before the end of the decade. In the Italian’s efforts, though, it managed to arrive about 30 years later. End of decade, end of century, end of millennium, hey it’s only time, no?
Navicella was the wine intended for the first course, something from the aquaculture tanks. Passeggiata was created for the second stage, more experimental than the first wine. It was a sci-fi way of twinning tradition (Navicella) with innovation (Passeggiata) and for those who experienced the wine, I've been told it was a magical. Again, this was eight years ago when the Italians were embracing the next big thing. Now we are earthbound again, arguing this time over tradition vs. innovation. There are a few of these wines available on the auction circuits. A large enological school in Northeastern Italy was in incubating site for these wines. The Lega Nord, and a then unknown party operative, put an end to it. That little known operative would someday, in the future, join with Berlusconi and attempt to influence events in a larger and more important wine producing region, with near cataclysmic results.
Out last find caused a little flap among the retro-futurists in the room. Paraspruzzi was proposed to bridge the workers in the fields, those who tromp through the primal slime in their waders, with the elevated shapers of fashion. Originally the marketers wanted to call it “Chiaccerone”. Another on the board wanted to name it “Lo Scroccone”. But it was felt that normal wine lovers wouldn’t know how to pronounce it. Not that Paraspruzzi is that easy, but it sounded like the celebrity photographers who were known to frequent all the “in” places looking for those same nine beautiful people to snap up.
I’ve been passing an evening thinking about the Italian man and his obsession with women. Older men with younger women, younger men with older women, young men with young women, mature men with mature women. You name the combination; there are scores of Italian men this very moment obsessing on a woman somewhere.
Look at a young couple as they are falling in love. What do they do? They linger over a bottle of wine, or two. Lubricant or catalyst, wine has a place in the course of romance.
The first step is bubbly. Be it Champagne or Franciacorta, Prosecco or Cava, nothing succeeds faster than bubbles. Our committee has chosen a rosé Franciacorta for the sparkling representative. And while Champagne is ultimately a very classy choice, Franciacorta suggests subtlety and the slow dance to the “chambre”.
For the second act, my consulting group suggested we move towards red wine, higher in alcohol and a little headier stuff. The dew is off the lily, the excitement of newness is behind us now. And while we must still act like we are interested in romance, are we not men? We want one thing. Always. One way or another. Or so the women always tell us. Embrace the archetype, is the counsel of the committee. And nothing embraces the archetype better than a bottle of Chianti. We’re in stage two, not time to bring out the big guns, the Aglianicos and the Amarones. Just a little classico, sans fiasco.
Act three, we wander into la donna è mobile country. Time for power, richness, whelm and overwhelm. Long arias, lengthy and more time-consuming. So we will be needing something from Piemonte. A blend of Nebbiolo and Barbera or possibly even some of the dreaded Cabernet. Coppo in Piemonte makes a red wine called Alter Ego, a Cabernet/Barbera red which is plush and concentrated. More than a sipping wine, so have some food for the poor dear, don’t starve her. Don’t worry; there will be plenty of time for Brachetto and dessert, after midnight. Just let Verdi work his magic along with Coppo’s concoction.
Too late for an overture, but maybe time for a sorbetto. Freshen things up a bit. Spruce up the place. Nothing too sweet, maybe slightly bitter, something that will move into the romantic realm, but not too blatant. Time for a white wine? I would go with a Fiano with a little age on it, that way you could be a little philosophical while you are spinning your web around your little drosophila. And with something like a Fiano, or even a higher level Soave, there will be ample alcohol to divert the object of your attention from the main objective. All the while the parties are experiencing a wonderful wine and so if the finale doesn’t result in what you had planned, all is not lost. But most likely you will succeed. And still not veer too far off the wine trail in Italy.
Sometimes it just seems that it will never lead to what you have been desiring, like going to see La Bohème and arriving to the opera on the night they were staging Gilbert and Sullivan. But if you should persevere and be patient, then you will be rewarded. Life, love and loss, all part of the cuvee of a grand wine. For this act, we thought it could only be staged with a sultry Amarone. And not a small player but something that makes a statement, like a Viviani or a Le Ragose, Cavalchina or if possible, a Dal Forno. One in the group thought a night with a bottle of Amarone could persuade even the most bitter and cold-hearted woman. Not that any in that group would ever attempt to scale a peak in the depths of the Underworld. Call it overkill to overshoot the mark and reach the goal. Sound cynical? Cold? Calculating? Were not talking vodka martinis, that would be cold and calculating. No, Amarone is powerfully persuasive but classically romantic.
Wild passionate one night stand? Bizet’s Carmen and a powerful and volatile Sicilian red, what else? Something like the Lamuri from Tasca or the Cadetto from La Lumia. This is wine to drink in a moment of passion before the sun rises, and to be gone before she awakens. Brandishing swords and swashbuckling and a climactic though far too soon lowering of the curtains.
Next, mixing it up. Some in our group had variations on a theme in mind, so to propitiate them we team-worked the wine for that occasion. Sexy but not vulgar. One of us really wanted to propose a southern dessert wine, a passito. Another suggested keeping it a little lighter, maybe a moscato d’asti. But neither of those ideas really clicked. And then one of the geniuses in this brain trust hit upon the idea of a little known white wine from Lazio. Coenobium, a blend of Verdicchio, Grechetto and Trebbiano, organically farmed and made into wine by Cistercian nuns. Sexy? Oh yes, this is a white wine masquerading as a red wine of little color, a pigmentless wine with plenty of stroke. Did I really say that? And while there is the monastic craft of the wine, there is a communal pleasure that the wine delivers. Nuff said? Now I’m really going to hell.
Where is Puccini when you really need him? Waiting in the wings, for the finale with that sweet little bottle of wine? But this is no time for Moscato or just any passito. This might be the last time, so why not take down a bottle of the stuff legends are made of? I will need to go back to one of my posts and plagiarize myself (and Coleridge).








I bet you’re all dying to know, what’s up with the “intern?” I have long ago given up that title, even though IWG still thinks of me as his find. I am so not part of his world anymore, I’ve learned all his mysteries, and I gotta tell you, when he’s running around town saying “ I gotta get more cowbells,” I think we should “make the call", if you know what I mean.
Saturday Aug 30 – 11:00 AMI got a text from IWG last night when he landed. I didn't pay any attention to it till now, Great, what’s for lunch and how well will it go with that last bottle of 1990 Cristal that we be chillin’ up?
Now he is torn, ‘cause he gets this call trying to bribe him to come into the city for a tasting of old wines , journalists just back from their trips, old Italian wines, ready to go.
He said he felt like he was abandoning his hosts on the “island”. Give me a break, they’d love to see him go
Sunday Aug 31 – 9:30 AMI told him to not call me before 10. He said he waited until 10:30. Technically, for him, he was right. But I wasn’t ready to hear about his old wine conquests. Our party lasted until 2:30 and some folks crashed around the many beds, while others just split for more private surroundings. I have an aunt of one of the friends who has a cleaning service, he’ll never know. Like he can see anything outside of his own drama? That’s the Mother Lode of Life Theater, boys and girls. Believe me, he’ll never, ever, know.
His Majesty's Truffle dinner and French wine menu:

I am an island lover. So to go visit an island one can walk over the water to see, was like something out of an ancient fantasy. That they had vineyards there was lagniappe to me. It being light wine was even better.
As an island one can walk to, there is a sense of something once forbidden now available. Some of my married friends talk about this to me, often. In the wine sense, it is more of a surprise, in that this land, over-farmed for hundreds of years, is now once again fertile and capable of producing a delicate and sensual wine. The grape is Grillo, but not in a steely, nervous high pitched manner. This first release, the union of the Whitaker estate and the Tasca D’Almerita dynasty, is an oboe in a sea of piccolos.
Am I awake or still dreaming? So close to Sicily, actually protected in a harbor, but Mozia is a universe away from my daily concerns.
