Yesterday would have been Liz and my 11th anniversary. On our third (and last) anniversary, in 2000, we were given a bottle and encouraged to put it away and drink in eight years. At that time the election hadn’t yet been decided, but what had been put in place in the next three months, by a power greater than any of us, was the downward spiral of my wife’s health and the last days of her life. We were cut off, never got a chance to drink that bottle of wine.
This weekend, while rooting among my wine closet I found that bottle of wine. It was an Italian wine, and it was red, and from a very good vintage. Now the issue isn’t whether the wine is ready to drink. I’m not sure I am.The last eight years have been a time I would never had imagined in my life. I never planned to turn 50 as a widowed person. Jobs and friendships, loves and passions have all tried to make up for the giant crater in my own personal ground zero. And yes, we do rebuild, if ever so slowly, again.
So I will put that bottle of Italian wine back in its slot in the wine rack and maybe let it rest a little more.
Yesterday, at an event for the local farmers and winemakers, there were a few Texas wines at the tables. One particularly appealed, insofar as it corresponded with what I have been thinking about in terms of what American terroir is.
It started with thoughts about California terroir (where I lived for half my life, growing up there) and feeling something in my environment before I knew the terms. In those many trips from Southern to Northern California going back to school and stopping in Templeton or Paso Robles, Gilroy or the many little vineyard plots along the way, I would taste a Zinfandel or a Charbono and note something that seemed oddly familiar. Something I couldn’t quite pinpoint. But it was concrete. Real.
I know there are critics who think "California wine" is big and bold and ripe and, well, immense. And other than those creeping levels of alcohol, I really am having a hard time understanding what their frame of reference is. Certainly not from growing up drinking the wines of Italy. Or France. Or Virginia, for that matter.
Yesterday, I also went into a natural foods café and ordered a glass of carrot and celery juice. As I was drinking it, I was really enjoying the earthiness of the carrots, the nervous edge of the celery. It was a perfect drink, and it had tons of terroir from the organically grown produce. A chap behind the counter said I should try it next time with a little apple juice. As I was walking outside in what seemed like a perfect California day (in Texas) I thought to myself, “That would make it fruity.” I didn’t want more fruit. I enjoyed the balance of the fruit with the muddiness of the carrots and the salty-spicy green quality of the celery. It didn’t need to be manipulated with sugar from the apples to make it more pleasurable.
Take a handsome woman. Or man. Lets say someone from Croatia. Or Louisiana. In their natural state, some of us prefer that to a more enhanced look. Some like breasts that aren’t enormously out of proportion. Or lips that don’t look like that got into a fight with Sugar Ray Leonard. Muscles that look healthy, but not menacing. Many of us like wine like that.
I think California gets a bad rap. From folks who think they know what California wine is. And from winemakers who have mistaken their winemaking hats with their deity hats. I know when I talk to some of my winemaker friends like Robert Pellegrini, how they seethe when people try to reinvent "California wine", as if with one swipe of the sword it can all be commandeered. In the meantime, folks like him have their wines downgraded by the critics in favor of more voluptuous wines with a hedonistic bent. Pave paradise to put up a parking lot. And a tram.
I hear you, Bob. I too, remember the promise of California. And that seems to be a forgotten promise in today’s menagerie of players along the coast, from the numb and number corporate-crunching wine machines to the post-mid-life crisis wine lifestyle gazillionares.
And as America seems to be at a turning point, wouldn’t it be a great time for all of us to put down our preconceptions about what we think California wine is, or should be, and just “let the sunshine in?”
It doesn’t seem like eight years has passed since we entered the new millennium in 2001, but it has. It was the beginning of a very difficult time; my wife Liz passed away in Feb 2001, the political process started to change and the world changed with it. September 11 showed up on the world’s doorstep, and many of us have been taking it one day at a time, hoping for better days to come.
Ever since the time I attempted to simultaneously sell a Tuscan Novello and a Vernaccia di Serrapatrona, that would have been about this time in 1984, I have wondered why Italian wines chose me. Not just me, but for some of the hard stuff, I sure have had my share of those assignments. Driving around with a delivery van full of baby Sangiovese alongside a quirky, dry, foamy red wine made by a madman in the hills of the Marche. What was I thinking then? Even now it sounds bizarre. Don Quixote, only this time we weren’t looking for windmills. We were looking for space stations for these special travelers. And in honor of those two wines, in the 2001 of our little story here, we have an homage: Novello Di Ascoli, a modern wine about 
Chianti: 2001 was a little project that went beyond Chianti 2000. I’m not sure if people realize the first Italian in space was Sangiovese. A little known experiment resulted in growing and harvesting the grapes aboard the International space station. Limited release, only about 20 cases, hydroponically grown. It was intended to test the ideas of extra-terroirestrial winegrowing. It is an amazing red wine, without the pull of gravity and ratings. No, only the influence of the astro-agronomist-winemaker, an American of Italian descent. It challenges the limitations of the Italian wine trail that we terrestrials put on it. Buckminster Fuller said, “Whatever nature lets you do is natural.” I wish all of you could have tried it with me. But alas, a quick trip to Washington D.C., some time ago, was the only opportunity any of us will have. But there will be more. Watch for a sparkling wine to come, made in zero gravity, called Zero-Zero. No dirt on their space-boots, but lots of ardent advances orbiting above us.
Down in the Cilento National Park, there is a colony of Italians who speak Esperanto. They escaped the area around Vesuvius many years ago and decided to leave behind their dialect. But they took their grapes with them and started making a red wine for the new millennium, to coalesce their past with their future. It is a cult wine on the islands around Naples and further south. I have only seen and had it once, from a private cellar in Panarea. The wine reminded me of the reds made by Galardi. I have heard people say they have traded two bottles of Le Pin for one bottle of “Vulkano” Campania Ruga. I have tried both wines. I would say two bottles of Le Pin for one from the Esperantani’s is a fair deal.
About 11 years ago, in a place near Colfiorito, there was a terrible earthquake. When they got to digging out some of the buildings, rescue workers found a lab book from a vineyardist, describing a project code-named “Il Grifi”. The project, like its name, had as its goal to combine three grapes to make a new wine. Here the vineyardist had been researching, via recombinant DNA, the creation of a wine that had as its parents, Sangiovese, Sagrantino and Montepulciano. And yes, for many years in Umbria and the Marche, winemakers have blended these grapes together to make various wines. William Sylvester, who starred in the Stanley Kubrick film, had made a film in Italy and was fascinated with this area and with wine. So he funded this little known experimentalist. Italy loves to resuscitate ancient things: statues, grapes, legends. In this case, as we headed back to 2001, we discovered that the wine had finally been made, in minute quantities. An amazing wine, combining the ephemeral verve of Sangiovese, the tannic and alcoholic power of the Sagrantino and the lubriciousness of the Montepulciano. Joy upon joy, an almost perfect wine in time for the new age. But alas, only one year was made and only 1113 bottles. They were mostly served at an autumn Sagra in Colfiorito for the special red potato named after the area, which makes the most wonderful base for the local gnocchi. The wine disappeared into memory, along with the best gnocchi I had ever had. The wine? Sangrapulciano.
Two wines, Navicella and Passeggiata, were “good soul” efforts to make right the promise to reach the moon before the end of the decade. In the Italian’s efforts, though, it managed to arrive about 30 years later. End of decade, end of century, end of millennium, hey it’s only time, no?
Navicella was the wine intended for the first course, something from the aquaculture tanks. Passeggiata was created for the second stage, more experimental than the first wine. It was a sci-fi way of twinning tradition (Navicella) with innovation (Passeggiata) and for those who experienced the wine, I've been told it was a magical. Again, this was eight years ago when the Italians were embracing the next big thing. Now we are earthbound again, arguing this time over tradition vs. innovation. There are a few of these wines available on the auction circuits. A large enological school in Northeastern Italy was in incubating site for these wines. The Lega Nord, and a then unknown party operative, put an end to it. That little known operative would someday, in the future, join with Berlusconi and attempt to influence events in a larger and more important wine producing region, with near cataclysmic results.
Out last find caused a little flap among the retro-futurists in the room. Paraspruzzi was proposed to bridge the workers in the fields, those who tromp through the primal slime in their waders, with the elevated shapers of fashion. Originally the marketers wanted to call it “Chiaccerone”. Another on the board wanted to name it “Lo Scroccone”. But it was felt that normal wine lovers wouldn’t know how to pronounce it. Not that Paraspruzzi is that easy, but it sounded like the celebrity photographers who were known to frequent all the “in” places looking for those same nine beautiful people to snap up.
Once upon a time, Italian wine importers tried desperately to sell their juice to America. They went to any length to sell wine. Once such effort was to make these decorative fired clay vessels shaped like donkeys and elephants and color them up real bright and perky and then hang a little thingie around the neck with the slogans, “Vote Republican” or “Vote Democratic.” The Italians were very good about making sure every party had a mascot filled with bright and sassy red wine, usually from Emilia-Romagna. Probably a Sangiovese or some high yield red wine that could be utilized for little or no cost. The clay figures now are worth more empty as a collectable, although some of the ones in my collection still have wine in them.
The donkey is a perky, happy-go-lucky character. He makes you think he might be your best friend who would never let you down.
The elephant is a little more self-reassured, standing on his hind legs for his pleasure, not yours, and deigning not to make eye contact. But he is an elephant decorated in such a strange way, almost like those Indian Ganesha statues that they put into the Ganges every year during the Hindu festivals.
These and many other characters were brought in by an importer who made a lot of money bringing in wine from Italy, first from Emilia-Romagna, then from Tuscany. Nowadays, we wouldn’t take an importer seriously if they tried to market Italian wines in this way. But you have to remember it was barely 15 years after a devastating war. Remember 1993? That doesn’t seem like so long ago, does it? Well in 1960 that was the situation and to make matters worse, Italy wasn’t taken seriously as a wine producer of any consequence. That was the purview of France. So what do the Italians, and their American importers do? They make some silly wine casks that represent the political parties in America and schlep them over filled with some inconsequential red wine. Very cute. But not very serious. And now so very kitsch.
Bruna Giacosa and Cindy McCain, what is going on here? Is it deer in the headlights or maybe a little too much time under the sunlamp? I’m sure both of these women are loved by someone, if not just by their parents, both whom are alcohol industry giants in their own way. One in the beer business and the other in the Barolo business. These girls know their way around a curling iron and a blow dryer. The only question remaining: Do you go for “Drinkability” or “Age-ability?”
Joe Biden and Bruno Giacosa – both proud fathers. Joe, of course had to go it alone, with a little help from his remaining family. Bruno went about carving a neat little niche with his stable of mighty fine reds. Bruno has a daughter who is succeeding him in running the business. Joe has a son in politics, so there is a possibility of dueling dynasties. But aside from the vague resemblance and the serious demeanor, what else do these guys have in common? I’m not sure Joe has ever Jonesed for a Dolcetto. And I rather doubt Bruno craves commuting on Amtrak. So these gents are as polarized as most of the people in this country are from each other. The only remaining question is: Do you prefer single vineyard wines from Piedmont or a single payer health care system?
Sophia Loren and Eleanora Brown and Michelle Obama and Jill Biden – We’re doing a 
Marcello Mastroianni and Barack Obama. I doubt if they really have anything in common other than liking cigarettes and posing in a pensive manner with their hands on their heads. Mastroianni had a nickname, Snaporaz, and Obama’s nickname is Barry. I prefer Snaporaz.
I’ve been passing an evening thinking about the Italian man and his obsession with women. Older men with younger women, younger men with older women, young men with young women, mature men with mature women. You name the combination; there are scores of Italian men this very moment obsessing on a woman somewhere.
Look at a young couple as they are falling in love. What do they do? They linger over a bottle of wine, or two. Lubricant or catalyst, wine has a place in the course of romance.
The first step is bubbly. Be it Champagne or Franciacorta, Prosecco or Cava, nothing succeeds faster than bubbles. Our committee has chosen a rosé Franciacorta for the sparkling representative. And while Champagne is ultimately a very classy choice, Franciacorta suggests subtlety and the slow dance to the “chambre”.
For the second act, my consulting group suggested we move towards red wine, higher in alcohol and a little headier stuff. The dew is off the lily, the excitement of newness is behind us now. And while we must still act like we are interested in romance, are we not men? We want one thing. Always. One way or another. Or so the women always tell us. Embrace the archetype, is the counsel of the committee. And nothing embraces the archetype better than a bottle of Chianti. We’re in stage two, not time to bring out the big guns, the Aglianicos and the Amarones. Just a little classico, sans fiasco.
Act three, we wander into la donna è mobile country. Time for power, richness, whelm and overwhelm. Long arias, lengthy and more time-consuming. So we will be needing something from Piemonte. A blend of Nebbiolo and Barbera or possibly even some of the dreaded Cabernet. Coppo in Piemonte makes a red wine called Alter Ego, a Cabernet/Barbera red which is plush and concentrated. More than a sipping wine, so have some food for the poor dear, don’t starve her. Don’t worry; there will be plenty of time for Brachetto and dessert, after midnight. Just let Verdi work his magic along with Coppo’s concoction.
Too late for an overture, but maybe time for a sorbetto. Freshen things up a bit. Spruce up the place. Nothing too sweet, maybe slightly bitter, something that will move into the romantic realm, but not too blatant. Time for a white wine? I would go with a Fiano with a little age on it, that way you could be a little philosophical while you are spinning your web around your little drosophila. And with something like a Fiano, or even a higher level Soave, there will be ample alcohol to divert the object of your attention from the main objective. All the while the parties are experiencing a wonderful wine and so if the finale doesn’t result in what you had planned, all is not lost. But most likely you will succeed. And still not veer too far off the wine trail in Italy.
Sometimes it just seems that it will never lead to what you have been desiring, like going to see La Bohème and arriving to the opera on the night they were staging Gilbert and Sullivan. But if you should persevere and be patient, then you will be rewarded. Life, love and loss, all part of the cuvee of a grand wine. For this act, we thought it could only be staged with a sultry Amarone. And not a small player but something that makes a statement, like a Viviani or a Le Ragose, Cavalchina or if possible, a Dal Forno. One in the group thought a night with a bottle of Amarone could persuade even the most bitter and cold-hearted woman. Not that any in that group would ever attempt to scale a peak in the depths of the Underworld. Call it overkill to overshoot the mark and reach the goal. Sound cynical? Cold? Calculating? Were not talking vodka martinis, that would be cold and calculating. No, Amarone is powerfully persuasive but classically romantic.
Wild passionate one night stand? Bizet’s Carmen and a powerful and volatile Sicilian red, what else? Something like the Lamuri from Tasca or the Cadetto from La Lumia. This is wine to drink in a moment of passion before the sun rises, and to be gone before she awakens. Brandishing swords and swashbuckling and a climactic though far too soon lowering of the curtains.
Next, mixing it up. Some in our group had variations on a theme in mind, so to propitiate them we team-worked the wine for that occasion. Sexy but not vulgar. One of us really wanted to propose a southern dessert wine, a passito. Another suggested keeping it a little lighter, maybe a moscato d’asti. But neither of those ideas really clicked. And then one of the geniuses in this brain trust hit upon the idea of a little known white wine from Lazio. Coenobium, a blend of Verdicchio, Grechetto and Trebbiano, organically farmed and made into wine by Cistercian nuns. Sexy? Oh yes, this is a white wine masquerading as a red wine of little color, a pigmentless wine with plenty of stroke. Did I really say that? And while there is the monastic craft of the wine, there is a communal pleasure that the wine delivers. Nuff said? Now I’m really going to hell.
Where is Puccini when you really need him? Waiting in the wings, for the finale with that sweet little bottle of wine? But this is no time for Moscato or just any passito. This might be the last time, so why not take down a bottle of the stuff legends are made of? I will need to go back to one of my posts and plagiarize myself (and Coleridge).
Back in the 1980’s and 90’s I invested in a personal hedge fund. At the time there wasn’t any overriding strategy other than perhaps a hedonistic one. I started out with little investments here and there, and one thing led to another. A little trading, some long-term holdings, some quick-turn-around buys. All this over a period of the past 20 years.
Lastly, I bought a bunch of Port, thinking 1990-1994 would be good wines to drink when they are 20 years old. The oldest of that bunch are starting to get close. I am particularly fond of Quinta Vesuvio for several reasons. It was one of the quintas farthest up the Douro. I had probably the best 
