The Italy that Americans forget
Lately I’ve taken to reading excerpts from people’s trips to Italy. Wine country, the cities, the fashionable resorts, the restaurants, the countryside. And one thing has stood out from some of those missives. It is the unique position we all have, the singular perspective of Italy from our own point of view, and how it affects how we see and interpret Italy to others. This is no simple thing, for there are as many Italy’s as there are people experiencing it. But what makes some of those dispatches noteworthy are the way they not only envelop the teller of tales and their particular cosmogony, but how it brings others into their whirlpool in a way in which the Italy they have created is fully believable and not just a hopeful fabrication that they’ve hoisted once again upon the rest of us.
In other words, that they have given to us an Italy we can share in and not just revel at their prowess in getting there and throwing everything into the kitchen sink of detail in order to regale and influence us, to magnify their place in the pantheon of Italianita, and make it seem they are more important than the story they are trying to tell. This is no easy thing, for it requires self-confidence, for sure. But it also requires stopping the world and letting their intimacy with place take over and be the over-riding influence over one’s perceptions. So much for being invisible, to an extent, yes, but also being open to the cuckoo call in the glen, the gurgle of the stream below the window of one’s hotel, the absolute quiet of the moment, which is always there behind the incessant rattling of the monkey-brain.