One Last Night Under the Moonlight

Farewell, my little Mexican Pepperleaf

Under the full moon I walked outside to spend one last moment with her. All summer she spent with me, content to lounge around the pool and this little isola, swaying to the symphony of the sounds that flung about. Occasionally the flock of parrots would screech by, looking for anything that reminded them of their tropical home. She did, and they would fly low as they would try to comfort each other in this land of the Norteños. I tried to spend as much time with her as I could, but it wasn’t enough. Last night, under the full moon, we said farewell.

Earlier in the day, there was a reminder at the luncheon for the Italian chef. The salad course, right in front, she cavorted delicately with her dancing partner. Everyone at the table commented on how light on their feet they were and how well they complemented one another. I couldn’t be jealous, they were right. But I knew it was over for us, again.

This happens every year. She shows up at my back gate, nearly climbing the fence to get in. She re-arranges everything, but I don’t protest, she makes it look so easy. And calm. And she’s really no trouble at all. She asks for nothing but to be loved and shared. She is authentic and thrives without any kind of toxins. She is pure and simple, her perfume is delicate and spicy, sweet like a balsam. To all whom she comes into contact with, she improves them and is improved by them. She spends most of her time alone, but is best in the presence of company. She is unique and she is no trouble at all. And all she encompasses she does with proliferate ease.

But when the summer comes to an end, she yearns for warmer places, brighter things. Even though I have shown her another world, New York, San Francisco, all over Texas, she yearns for her home, where she has been revered all her life. What can one do? This is the way it is with my little Mexican mistress. She belongs to an ancient world, even as a bigger world calls for her.

I understand her wanting to be someplace where she fits in better. Only the parrots, who are slowly going insane with the onset of winter, could remind her of her dear home.

This morning I went out to see her before she left. It was a dewy morning, she was by the roses. So bright, so strong, so delicate, among the thorny creatures. They didn’t want to let her go, they held on to her as well.

The rabbit, silent and stoic, was frozen. It was as if we were all losing a piece of ourselves. I remember as I was helping her into the car to take her to her next stop, I started to cry. Dolce pianto, the Dottore reminded me, sweet tears.

All'afflitto è dolce il pianto
è la gioia che gli resta…

The reaper had reaped, it was blood he wanted and it was blood he got. There was nothing, save the shrieks of the parrots circling the sky above. The sun had risen, but it was a dark moment as she who had filled the world with darkness was now silent and gone.

The days are shorter and the nights are colder. She cannot suffer, though, because she has flown on to her new life. As I stand among the ruins of our time together, I can only hope someday she will return and fill the life of this little isola with her beauty and her calm joy and her music and her vigor, di nuovo.


Buen viaje mi querida, Hoja Santa

written and photographed by Alfonso Cevola limited rights reserved On the Wine Trail in Italy

With thanks to Gaetano Donizetti for the midnight inspiration

On Any Given Sunday: A Three-Tier Crusaders Gamebook

Oh yeah, it’s like, Sunday in the Fall. Meet the Press, Football, World Series, all kinds of diversions. What it is for us three-tier crusaders, though, is one down, two to go. The traditional O-N-D (October-November-December) holiday season is 1/3 over. And we’ve got miles to go before we sleep. All across the country, the wholesalers, retailers and their customers are gearing up for a season of festive cheer. To the three-tier machine, it’s just one big party, festooned with real pirates. Arghh!

I called my 95 year old mom tonight when I got home at 6PM. It was dark here, but in California she was looking at a sun setting over the golf course outside her home. “Oh, honey, are you working today? Did you put up your displays?” My mom has always been “into” whatever her kids were “into.” She used to sit there and listen to baseball games and we’d listen to Vince Scully and Jerry Doggett announce the Dodger games, back when Sandy Koufax and Don Drysdale and Larry and Norm Sherry were on the team. Scully announced the Dodgers when they were in Brooklyn and is still on the job after 60 years. Now that is a crusader. Anyway, where were we? Can you tell I am dead tired?

Like I was saying, I met up with one of the old-timer salesmen, Joey the Weasel. We were heading over to Sausage Paul’s, to help clean up the shop after his year end sale and inventory. As I walked in, Paul was firing up a triple cream latte for me, and he had a big grin on his face. His brother Mike was already out the door, a couple of eggplants in his arms and what looked like a pair of tickets to Hawaii or Tahiti. Whatever. We still had work to do.

I polished off the latte and Joey the Weasel walked in with the biggest vacuum cleaner I had ever seen. He was going to get all the dust. Joey was still smarting from his Italian harvest “boy’s trip” to Tuscany. But if anyone is a third-tier warrior, the Weasel is a future Hall-of-Famer. So while he was sucking up dust, I amused myself with re organizing Piedmont, then the Veneto and then Puglia. Federico II, Garibaldi and Il Duce couldn’t touch me; I was burning through regions faster than Berlusconi in a Ferrari. Even Luca Zaia would have been amazed by my ability to regionalize Italian wine regions in such a fast and methodical manner. “No Pineapple, No Zaia”, that’s my motto.

I spied a Lacrima di Morro d’Alba squatting in the Piedmont section and proceeded to return it to Marche where it belonged. A day earlier I had corrected an over-confident wine salesman about the provenance of the wine, but I reckon he, or someone like him, scoffed at my expertise and placed it in the Piedmont section. He had also lectured me on the EU DOP (or PDO, which is more proper). “Now, there will be a Barolo DOP and all the DOC wines will be under it. So you will have Dolcetto and Barbera and Moscato and Gavi and all of those wines under the Barolo DOP.” Oh really? And we wonder why the regular folk think Italian wine is so hard to figure out? Well, I am here to tell anyone who wants to know, that just ain’t gonna happen. Jeesh.

So where were we? Yeah, we got the placed vacuumed, and searched out any wines that needed to be “red dotted” (50% off, and it’s out of the park!) so Sausage Paul could make room for the wines that will work in the new economic reality. And besides, he also needs room for Panettone and Burrata. It’s beginning to look a lot like Christmas.

After all that, we hastened to a local trattoria for some pizza and to get the order written. Over a bottle of Insolia (which was heading South, fast) and some calamari, Sausage Paul started handing Joey the Weasel sheets of paper with marking on them. Joey was typing furiously away, trying to get everything in before a 4PM cut-off. Meanwhile a pizza was being placed on the table, and we all had to stop what we were doing to eat the pizza in its perfect state- fresh and hot.

Mission accomplished – re: the pizza. But the cutoff deadline was looming. A hearty espresso kicked Sausage Paul and Joey the Weasel into high gear and they started tearing through the pages, ordering left and right. It was pure poetry to see how those boys worked so beautifully together. And those mean-spirited bloggers who knock the good old tried and true three-tier system, what do they know? They are all sitting on their keisters drinking God knows what (but we’ll hear about it on their blogs, I am so sure) sitting in front of a big screen TV watching football and if they are still sober (or awake) maybe a little of the World Series. The Boys of November, they are a so formidable faction.

Not to sound like I have hubris on this matter, but even in the back row of this kerfuffle, I know the team I am on has a deep bench. We have been called a conspiracy, and blah, blah, blah. Go turn on Fox News if you want to hear the talking points, they’re close enough. The world I live in is competitive and it is constant with change. Don’t like it? Don’t get into the ring. This isn’t a place for whiners and short-timers.

Oh, and for those who say it’s about choice and it’s about giving consumers wines that they couldn’t get in the stores or through the established (three-tier) channels, let me invite you to the store we just spent all Sunday in: there are two tables of Red-Dot close-out wines that consumers didn’t choose – and now those wines have to go away. No conspiracy, no lobbying, no dark passage, no envelope with unmarked $100 bills – just wine that didn’t make it in the real world of commerce. The wineries made their money, so did the importers. The mom and pop store? He's just trying to make room for something that will work.

written by Alfonso Cevola limited rights reserved On the Wine Trail in Italy

Trick or Treat – The archetypal Italian wine press release

From the "I couldn't make this up" department.






_______________ launches _______________!

___________is the name of the latest vinous creation from historic ________ wine producer, _____________, based in ________ , Italy. The wine was first launched in ______, is classed as a ______ and made as a fascinating blend of ________, ________ and ______.

Owner of the company, _________ ________ explains the name. “In _______ dialect,” he says _______ means “_______” or ‘_______ ________’, the bit on an estate that’s the most protected and most loved.” Or in other words, what the French would call “___”. In fact, the base grapes for this wine come from a ____hectare vineyard in ______, planted at a density of ______rootstocks per hectare and trained in the ______ manner.

The grapes selected for _____ are those that are really super ripe. The ________ and_________ grapes are given a slight appassimento after picking, while the ________ is soft-pressed immediately and temporarily kept at a low temperature to prevent fermentation. Once the ________ and __________grapes are pressed, the _______ first run musts are combined and run into stainless steel tanks for fermentation. The resulting wine is matured in small ______ oak casks until the late spring, and then bottled and given bottle age until the end of summer.

“The actual blend we use,” ______________ explains, “was arrived at in a very pragmatic manner. We experimented on the ideal composition for some time before arriving at something that we thought really interesting. The result is an important wine: powerful, structured, and something for connoisseurs. It has the characteristic mineral notes on the palate, truly reflecting the soil of _________, which is usually made up of a type of ________ soil.”

On the nose there are hints of style that could be described almost as similar to Montrachet in Burgundy but the final result, ____________ says, “is a faithful and unique expression of the local terroir, not the least but intended to be a copy of one of the world’s classic wines. It could almost be used as a wine to drink after a meal, a meditation wine, but it goes really well, amongst other things, with rich fish, chicken and pork dishes.”


Happy halloween ya’ll!

[photo by Arbus]

Paralyzed in Paradise

El sueño del Día de los Muertos

“Italy is falling apart from within and they cannot even see it.” I dreamt that I awoke in my bed at 4:00 AM, as the parrots outside were screeching from the bitter wind and cold that was driving them insane. At 8:30 there would be a meeting I had to be at, and the month was finishing up disappointingly. “There is too much wine. It is too expensive. It has too much wood and Merlot and Syrah in it. And every time another email from Cinderella wine shows up in the inbox there’s another Super Tuscan for $20 that the wineries had been asking $80-90-100, a year ago.” I kept hearing these voices from the waking-working moments, from wine lovers, wine buyers, people who once cared. But the Italians had already turned their backs on their advocates in pursuit of an unsustainable life style. Newer cars, larger wrist watches, pointier shoes, and these incessant barriqued wines. They were killing their country.

Before I awoke I started by finding every last barrel salesman and sending them on a trip around the sun. Then I dug up the scientists and the agronomists and the consultants and took away their Porsche Cayennes and their GPS and put them all on a severe ego-restriction diet. And then I tracked down everyone that had had their winery designed by an architect from Spain or Japan or Norway and made them watch films by Ettore Scola and Buster Keaton and Orson Welles until their eyes bled.

Then I turned all of the power down in Italy in the winter, so that when it got cold they had to hold bonfires with the barriques until all the small, tightly grained monsters of their vinous vanity were gone from the face of Italy.

I then collared every P.R. firm who used the words “employing modern techniques with respect to tradition” and sequestered them all in the wineries that had been designed by those architects from Spain or Japan or Norway and made them sit there eating zibibbo raisins and yoghurt from Greece until the diet leeched out all the poison from the lies they had been telling all these years.

If Italy was redeemable perhaps they could have reclaimed their wines. As it was, we witnessed the curtains closing on a period when they let greatness slip from their grasp. The Italian culture was clouded with their sense of self importance, their self-possessed narcissism. And it killed the natural wine culture that had thrived in Italy for aeons.

Italy, you blew it up. The world no longer could endure your barrel-tormented dramas and your international wines stripped of their Italianita and sacrificed on the altar of short term commercial success. La commedia è finita.


And then the alarm rang out in the early morning fog of autumn.

written by Alfonso Cevola limited rights reserved On the Wine Trail in Italy

The Dance of Deliverance

For weeks it seems I have been slumbered over a computer, studying trends, making spread sheets, eating dust. Bound to this place by time of harvest and holiday. Setting the stage for the big show.

Around midnight, outside, a dog howls. He is new to the neighborhood and every little noise spooks him. Last night, a storm cracked the sky wide open and doused the land. A day later everything stunk with the smell of dirt and roots, perfect for the birth of a mushroom, but an olfactory Chernobyl.

In the dusk, bent over, harvesting the last of my crop, I thought about my escape. I am still hobbling from my last one, but the slumbering volcano calls. I need to go to Basilicata and dance.

From early days I remember listening to my grandmother hum soft rhythms in dialect, inherited from the Albanian diaspora that dotted the lands of our ancestors. Tribal dances that dyed our DNA with a dark mysticism, an allure, a danger behind the veil. And now I can neither resist nor ignore the dirge that has been driving the blood through my veins. Aglianico, my mistress, who is caressing you, who is neglecting you? Who will defend you against this molestation by modernity, couched with the mind numbing mantra of the shape shifters who chant “We aren’t hurting anything, we aren’t changing tradition. We are just making the wine better.”

Better? With yeasts developed in Torino, from factories provided by funds that grew from the wealth brigands stole from these very places? Has television and mobile phones done in a few short years what Hannibal and Caesar and Federico II and Napoleon weren’t able to accomplish in all the ages before? Why would you mingle the yeast for panettone with the grano duro of Barile?

Aglianico, don’t go with them. Aglianico, don’t let them carve you smooth and fatten you up. For thousands of years you have been the blood of the volcano, the dance of the harvest moon, the swoop in the cantine where so many marriages were made. How can you give it all up for the sake of a fancy new name and a small toasted barrel? You will sit in lonely places in faraway lands, with a high price tag, only to be forgotten, come una vecchia lampada in soffitta, when the fashion changes.

Look how they have mucked it up in Piemonte, In Toscana and in the Veneto. Fancy new styles, everybody getting a facelift; hiking their skirts up and letting the scores and the stars and the swollen shrimp determine your fate and their future. To be timeless is to take back the power the land bestowed upon you.

I’m coming to Basilicata, as fast as I can, to stop this false dance with i truffatori.

The essentials, in a life not limited by impulse, are bread, love, dance and wine. They are dearer when we answer the call from the Ancients. And cede not to ease or fear or whim or pain.

Padrona, vengo giύ subito.

written by Alfonso Cevola limited rights reserved On the Wine Trail in Italy

Chronicle of a Three-Tier Crusader

When I got out of college, our country was in the midst of a serious economic downturn. In addition, my nuclear family was being torn apart limb by limb. I couldn’t go home again, because there was no home to go to. For a time I was homeless. My sister rescued me from annihilation, until I got grounded. And then I proceeded to go to New York, in what was possibly one of the worst economic periods that city had ever experienced. My timing was impeccable.

As my East Coast education ran its course, I headed back to The West, where I could see sunsets and horizons, stars and mountains. My father had a little studio apartment, where I squatted for a few months.

It was shortly after that I started on the course that has led me along the wine trail. I started in the three-tier wine industry, in Hollywood, working in a restaurant across from Paramount studios.

When I moved to Dallas (which I recently heard it characterized as “provincially clueless”) I imagine I was the clueless one. Little did I know I would be embarking on a career in the three-tier industry that today is being demonized by some as "stupid”, “conspiratorial”, “corrupt” and “mafia”. The last one is particularly repulsive to me as I consider the use of the word mafia to be as racist as the pejoratives used to belittle African-Americans or Jews.

After I got my footing in little old Dallas, a "flat", "dumb" "flyover" "rail-stop" (other vituperatives I have recorded), I looked around and kind of liked the place. There wasn’t a lot of wine business, but what there was, the people in it were embracing of this tenderfoot and within a few years, I had a place, a career and a community.

Over the years, because of my ties via the three-tier industry, I have had access to some of the great wines and wine people in the world. One day when I was building a display of Glen Ellen Chardonnay, my boss called me and asked me to lunch at the Mansion on Turtle Creek. He wanted me to meet Jean-Pierre Moueix, the proprietor of Petrus.I went from sweating an end-cap of Proprietors Reserve Chardonnay to enjoying a glass of 1966 Trotanoy. I was on my way to willingly being corrupted.

I have met many of the great Italian winemakers living and dead. I have dined in their homes and they have dined in mine. You see, we are a world community, not a world conspiracy. Oh yes, we do plot to persuade people to drink better wine. Sometimes we even slink so low as to just get people to switch from iced tea to any kind of wine. We figure that once we get them hooked, they’ll never go back.

Those of us crusaders of the three-tier system aren’t put off by the one-sided arguments of folks who slam the system. Everyone has an agenda. And it is fashionable to find a bad guy, to demonize a standard or a status-quo. It plays into our 21st century drama of hoping people will share our viewpoint because we are victims. Often people look into the drama, not because they feel sorry, but because they crave the joy from the schadenfreude that the drama creates. Everybody loves a winner, especially if they aren’t witnessing it from the losing end. The argument that the three-tier system is bad will always backfire on the people that use the argument because it diminishes their power and it essentially emasculates them. Rather than cursing the darkness, there are those of us happy warriors who have made a life of building brands and bringing wine to the cities and the provinces, to the wealthy and the workers, day by day.

Competition has been steep. The industry has been consolidating since 1987. So those of us in the fray don’t fret over our enemies or our problems too much. It’s part of the landscape. If we lose a line to another distributor, we don’t cry that it is unconstitutional and bawl till crocodile tears flood us out of our accounts. Many of us just know that it isn’t a fair world and sometimes you win and sometimes you lose. All part of being a grown-up.

I have really enjoyed all of it; working until 2 or 3 AM, building displays that looked like the leaning tower of Pisa or the Eiffel Tower, out of corr-buff (corrugated cardboard). I have spent countless evenings doing wine dinners for restaurants, wine classes for universities, wine training for new colleagues and much, much more. I have been part of the army that has grown the American wine drinking population so that online retailers and bloggers could have a platform for their projects.The wine business is changing, as it has been ever since it has been a business. From the time when the Chaldean winemakers negotiated with the wine brokers of the Pharaohs, 4,500 years ago to now in the 21st century. Nothing is easy, and nobody is going to get a gimme every time. The vines struggle. Why do people think they don’t have to? That’s what I call “stupid.”

When I see how many people I touch, handing them a bottle of wine on the floor of my favorite Italian wine store on a Saturday, and then having them flash me the thumbs-up sign as they open it and enjoy it with a handmade sandwich, I know my crusade is a fulfilling one. And while my life hasn’t been filled with non-stop happiness, it has been a good life. And I know my work has been good work. And the naysayers cannot demonize my good work or my good intentions with their glass-half-empty rhetoric.

Some years ago, I got another call from a boss. Again, it was an invitation to come to lunch to meet a winemaker. The winemaker was heading back to his vineyard for harvest and was stopping in Dallas to meet with clients. His vineyard was in the Bekaa Valley, and a devastating civil war was waging at the time in Lebanon. I asked him how he did it, how was he able to pull the grapes and get them to the winery, while tanks rolled through the fields. He answered that some of us are called to make war and some of us are called to make wine. But all of us are called to be warriors in one way or another. And the grapes are growing and they must be harvested. Just as it was done, some 800 miles away and 4,500 years ago, in Chaldea.

The winemaker, Serge Hochar of Chateau Musar, and his world, became part of my world that day in the early 1980’s, along with so many of the happy warriors who do the work of their lives, knowing that their livelihood is right. And anyone who has experienced right livelihood, and the excitement and passion that accompanies it, knows that the wine trail isn’t for everyone. But for those crusaders who get on it and get with it, it is a life full of meaning and wondrous expectation.

written by Alfonso Cevola limited rights reserved On the Wine Trail in Italy

What We Loved

In what seemed a lifetime ago, I remember watching her as she waved through the window. It was one of many departures that would torment our life together. Business called; Puerto Rico and a meeting, or Cincinnati and a convention. The seconds away from each other were millions of sharp pins jabbing at the bubble of our affection.

As the years progressed, we spent more time with each other, but other things would conspire to separate us. A stumble in the clear daylight, a numbing of the legs, a blurring of the vision. Something was always trying to pry us apart.

In better days, there would be dinners outside under the portico that I had built for her. I remember her crying as I drove a nail through my arm when I was bulilding it, and she took me to the emergency room. Her affliction was usually to blame for a mishap, and now I was stealing thunder from the disease from which there was no cure.

I remember back when the doctor took us in a room and told us that he had good news and bad news. The bad news was that what she had was incurable. The good news was that it wouldn’t kill her. The good doctor was wrong about the good news.

I have been thinking about the wine we loved. One I remember so well was on a summer day in Rome. We were sitting in a little trattoria near the Vatican, drinking wine from a carafe. It was yellow. It was cool. And it was from the hills surrounding Rome. A sweet memory that wine and Italy played a minor part in.

When her eyesight would fail her, she would walk with me, holding me, with complete trust that I was taking her where she would find no harm. On a porch on Victoria Island we would dangle our legs together as we sipped on Chenin Blanc from the Loire. We were taking a break from the onslaught that was heading in our direction, aiming to level us, pulverize us and tear us away from each other, forever. In time it did, but for that evening one summer many moons ago, we sipped without care, gently lapping the sweetness up.

She loved to cook. Squash casserole, pork loin, red eye gravy, she didn’t consider herself a cook. But the simple things she did, I loved. And the wines we loved with them were from a time that was so much simpler than now. A lovely Verdicchio from Matelica. Or a Pinot Grigio from Friuli, before such a wine would be spoiled by its own success. And the aperitif from France, Lillet, that she loved so much.


When I met her, she was a martini gal. She loved her gin. The Italians loved her for it. At a hotel we were staying at in Rome, where the Italian President had a penthouse, the bar had every kind of spirit. They would make her a dry martini, with the proper proportion of vermouth. It made her very happy.

When she reached the autumn of her very young life, wine ceased to have the appeal for her that it did in our earlier years. She would have a glass with me, but I could tell that wine wasn’t going to cure what was taking her apart, day by day. So, what we loved we left in the wine closet as she and we made one last stab at fighting the Goliath that was blocking our light.

Our last wine together, a few weeks before she died, during Christmas, was a Dolcetto. I don’t remember how we came to decide upon that as our last wine to love together, but from a not so sweet several years of doing battle, this one last glass of red, raised to our lips, was so very sweet and moving.

To this day I remember all of the wines we loved in our life of love with great affection and melancholy.

written by Alfonso Cevola limited rights reserved On the Wine Trail in Italy

"Cooking that could bring the Lord to His knees"

It was October of 1999 and we were all worrying about Y2K. The newscasters were telling us that we would probably spend the first month of the new century in darkness. 1999 to 2000 wasn’t the transition to a new century, but somehow in the binary world of computers it was heralded as a defining moment for civilization. Or that’s how they were selling it, trying to make us stare in to the TV’s so they could sell us their Chevy’s and their Pepsi’s and their Tide.

Meanwhile my Aunt Amelia was in the hospital. She was born on November 11, 1911 at 11 in the morning. 11-11-11-11. She was the archetypical cook in the history of my family. And while both of my grandmothers could cook well and so could my mom, and my sister Tina was in the running for the title (in the future), my Aunt Amelia, or Aunt Mil as we called her, she had the magic.

What she could do with a little flour and butter and water and egg and olive oil was a big deal. But Aunt Mil made it look like breathing; simple, effortless. I swear she could fry up day old newspaper and make it taste good. Nothing frightened her in the kingdom of her kitchen.

Chicken? Let me count the ways. Fried? The Lord Jesus would prepare another sermon if He had ever tasted hers. Baked or pan sautéed, with bread crumbs and Pecorino? I still aspire to make mine as well as hers. Vegetables? She could make a little kid like spinach. Eggplant? To this day I cannot fathom her stuffed eggplant. Meat balls, the quintessential Italian American crossover dish? I still don’t know how she made them so bloody great. Yeah, I do.

And the peach cobbler and the fried pies? Jeesh, how many times did I want to drag one of the gang of five over there to show them how a real southwest cook did it?

I used to leave my son there when he was a little boy, between school and the end of work. She always had an extra plate, if it was late. And the food she put on it, to this day, I still look for it.

Tomatoes, what she did to a tomato, my God. Fresh, stuffed, you name it; she outdid Faust in whatever deal she made. But she even tricked the devil, ‘cause the only heat she is feeling is from a well tended stove.

Sometimes I’d just drop by in the middle of the day. There were a couple of Italian restaurants nearby where she lived in old East Dallas. I ask her if she wanted me to take her to lunch, and she’d just say, “Nah, baby, we ain’t gonna find any decent Eyetalian food in those places.” No, we’d play it safe and go get Tex-Mex. Or she’d go into her kitchen and within minutes, miraculously, lunch would appear.

She was my southern Italian trattoria, with the best wine list, 'cause I’d bring the wine.

Aunt Mil passed away 10 years ago on October 24, days short of her 88th birthday. She didn’t make it to see the new century or the new millennium or 9/11. I remember going to see her in the hospital. She wasn’t happy with the food. Here was a lady, who was like my second mother. I called her my Texas mom. She loved it when I'd bring over a bottle of Montepulciano or Chianti. She liked her some good earthy Italian wine.

Earlier, I wrote “I still don’t know how she made them so bloody great. Yeah, I do.” Let me tell you what she told me many times. We’d be sitting on her couch, the TV blaring, the screen door open, the world turning and attending to the many dramas unfolding outside her universe. “Baby, make it with love. Be patient. Take your time. Don’t get upset. If it don’t work out so well the first time, try it again. You know the egg breaks. What do you do? Heat up a pan and scramble them with some olive oil and grated cheese. They ain’t gonna taste so bad, baby, as long as you give it a pinch of love. And remember, call me, and I’ll walk you through it.”

She walked me through many a meal and a crisis of love. She was one of my best friends. And in my kitchen I have a little spatula that I filched from her kitchen after she was gone. And to this day, when I make scrambled eggs, I call on her, and her little spatula, to help make it taste heavenly.


Miss you, Aunt Mil. Love you...

written by Alfonso Cevola limited rights reserved On the Wine Trail in Italy