"This was my revolution. Italian wine, in 1957, was not so delicious. It had alcohol, lots of dried earth flavor, but it was lacking life. I wanted the wine to be young and vibrant, youthful. Not tired. Not vinegar. Not brown. Red, like my blood. White, not brown. Like the clouds. And golden yellow, like a sun setting. I was totally immersed in this dreamworld, and there was nobody telling me to stop. And so, I ventured forth, and began my symphony of wine in 100 movements."
Daria let me in, it was barely sunrise and Diana was in her little study. As I approached her, I noticed the dog-eared book she loved so much was open to this passage:
“When it is understood that one loses joy and happiness in the attempt to possess them, the essence of natural farming will be realized. The ultimate goal of farming is not the growing of crops, but the cultivation and perfection of human beings.” ― Masanobu Fukuoka, The One-Straw Revolution
I was not a philosophy buff in college, tending more towards the arts, with a sprinkling of theology and mythology in my courses. I took a non-western course of studies, and words were not the emphasis I was being directed towards. It was a visual path: painting photography, filmmaking, ancient cultures. And to my introverted being, that was just fine. But here we were, in this little room, with these words. Perhaps words could be an artform too? In the hands of someone like Masanobu Fukuoka, this was a certainty. I’m not even sure my last sentence is defensible within philosophical discourse. I went into the kitchen; I needed some coffee.