On Photography: No Sunsets. Not Yet

Since migrating away from the wine trade, I have been able to devote more time to a long-time love of mine, photography. Of late, I have participated in two workshops with masterful photographers. The experience has rejuvenated me and lifted me into a new life of creativity that I haven’t felt in decades.

What Photography Taught Me About Wine Appreciation

It’s no secret to regular readers of On The Wine Trail in Italy that I have a slight obsession with photography. One hint is that, for years, most of the photographs on this blog have come out of one or another of my cameras. I am a visual thinker, and photography is my compass in navigating life’s path. How’s that for a well-worn cliché? Nonetheless, it’s true. I love everything about photography. And I realize it has informed my wine journey from the get-go. So, let’s dive in.

At Long Last – A Prescription for Uncertainty

This week I cleared out the RSS feeds for wine writing links. Since I’m not following the wine news anymore, and not part of the wine news-making claque, why track it? There’s this unspoken “rule” in photography that I learned from one of the masters that I followed: “When you don’t know what to shoot, turn around and go the other way. After a minute, turn left. In another minute, turn right. That should get you back on track.” So it is with wine, and especially about writing about it.

What I’ve  found from doing this blog since 2005 is that my interests lie not in the latest trends or the buzz around things like that. Just like photographs, my yardstick is, how will it age in 20 years?

Falling Out of Love with Wine

This week, I was re-organizing my wine collection. There were several cases of white and rosé wine that had stacked up in the utility room, and we weren’t drinking it that regularly, of late. So, I made room in the wine cave for them. I keep a spreadsheet and was slightly annoyed to be adding to the list, rather than subtracting to it. Why, one might ask? Isn’t the purpose of a wine collection to continually add and subtract, refine and replenish? I suppose so, but with our diminishing drinking habits, I fear I might outlive some of my wines. And that, in my view, would be an egregious offense.

Italy is Ready For You – Are You Ready for Italy?

Recently I returned to Italy, after an absence of four years – for me, the longest interlude in a generation. It couldn’t be helped. There was Covid, of course, which altered everyone’s life on the planet. But there were subtle factors; health, the invasion of Ukraine by Russia, the economic turbulence in the world. And the reality that Italy was hit hard by the pandemic and I wanted to give it enough time for them to recover and be ready for visitors.

Well, they’re ready for you – but are you ready for Italy?

My 50 year anniversary, or Nozze d'Oro, with Italy

It was on this day, August 15^th, in 1971, that I first landed in Italy. It was a 20^th birthday gift, with a little help from my friends. The plane flight from Los Angeles International airport to Aeroporto Internazionale di Roma–Fiumicino "Leonardo da Vinci" cost $900.00 (about $6,0000.00 today). No small sum for a college student then. But I wanted to visit the birthplace of my grandparents, and see the country where it all started for this young student, budding photographer and eventually, an Italian wine lover.

Once I landed, I decided to walk to Rome. Not thinking it that far away, and trying to conserve my money, in addition to the fact that I didn’t have many lire on me, I headed outside.

On photography, personal passion and a significant occurrence

This past week I’ve been out of pocket at a photography workshop retreat in northern Wisconsin bordering Lake Superior. The weather was cooler than it was in Texas, but warmer than normal (for Wisconsin). But I wasn’t there for the climate.

From the Archives - My Consigliere of Consciousness

Originally posted December 28, 2008

When I was thirteen I thought I was going to grow up to be a photographer. I spent endless hours in the darkroom and carrying my cameras everywhere I went. Being shy, it was the perfect date for me at a youth dance. I could take pictures of the action and go into the darkroom later that night to print them. Often folks would come into the darkroom (it was at the same place the dance was, usually) and see what I was doing. Photography was a social magnet.

Obsession and Intention - A Magnificent Tango

Wine as an obsession seems a bit odd to me these days. As I recede from the shores of the wine trade, the daily activities, the desires, the fears, the needs (are they really?) all seem to look less important to me. Does that mean I no longer love Italian wine, or even wine in general? No, not at all, but I do feel like the obsessive behavior I had, and which I see all around the wine world, might be misplaced energy. At least for me.

When Wine Isn’t Enough

We all have things that propel us forward. For some it is money, power or fame. Even in our little rarefied world of wine, we all have those reference points that give us meaning. Maybe it is a good vintage. Maybe it is finally making Sangiovese taste like Sangiovese. Maybe it is getting to a point where one’s influence is felt outside of one’s own sphere. Whatever it is, our search for meaning on this orb takes up the better part of our life after we have figured out how to get the basics taken care of. Mind you, these are first world issues. In most of the world, folks are trying to find potable water, a dry place to sleep and maybe enough food to get through the night without feeling the gnaw of hunger.

Remembering Herman Leonard

Too marvelous for words


New Orleans, summertime, pre-Katrina, a crowded Italian restaurant, Maximo’s, and I’m sitting at the bar. The owner, Jason, is pouring Champagne, Krug, from magnums to a large table and topping off my glass and another fellow's whom he affectionately calls Herman. Just a couple of guys sitting at a bar, drinking Champagne, waiting for the night to develop. And in New Orleans, anything could happen. I notice Herman has a little point and shoot camera with him and we start talking about wine, jazz and shooting.

I immediately liked him, he reminded me of a gypsy-freelance photographer that I hung out with in the early 1970’s. But Herman had it together; he succeeded, he had that special vision.

That night, on a steamy New Orleans summer night, it was just the two of us, having a drink and talking about stuff. I knew his work, lived with it whenever I sat in the restaurant. They filled the place. Ella, Duke, Bird, Tony Bennett, Art Blakey, Miles, Dizzy, man I would stare at Lester Young’s hat and coke and cigarette and would swear that cigarette was still burning. Herman took a picture of Charlie Parker in the late 1940’s that was a technical masterpiece. Low light, hand held and detail to the micron. I would stare at Bird’s suit; it had a pattern that was mesmerizing. I loved, loved, loved his work.

Look, there are plenty of sites out there with information about Herman, much more comprehensive than mine. He was a friend of a friend, and we would share a glass of wine together from time to time, that was all. I used to stay at a hotel near his house before Katrina wrecked the neighborhood.

Reggie Nadelson wrote," When I got the news that he had died, I looked at his photographs on my wall and I recalled what Tony Bennett said when he heard Frank Sinatra was no longer with us: ‘I don’t have to believe that.’"

I loved how he took an art form, jazz, and made art from the folks who made the art. And he took us along with him on this historic journey of a uniquely American music form.

One night Herman was dining with Doc Cheatham when I walked into Maximo’s. Doc had a gig in New Orleans and was getting an early dinner (9 PM). Folks would come by and pay their respects to Doc, Herman was shooting, his young assistant by his side. Good times.

I’ve been lucky to know some great photographers in my life. I collect photography and shoot almost every day for the last 45 years, ever since I was a young kid. I have an old childhood bud in California who is a great collector, one of the top in the world, for photography. But my takeaway from Herman, and the treasured body of his life’s work, is that there’s seeing and there’s living. Herman saw, but Herman lived a wonderful American life.

Happy trails, Herman, thanks for sharing your passion, your work and your images with us on this pretty little planet we all call home.

The best is yet to come....

written by Alfonso Cevola limited rights reserved On the Wine Trail in Italy

My Consigliere

When I was thirteen I thought I was going to grow up to be a photographer. I spent endless hours in the darkroom and carrying my cameras everywhere I went. Being shy, it was the perfect date for me at a youth dance. I could take pictures of the action and go into the darkroom later that night to print them. Often folks would come into the darkroom (it was at the same place the dance was, usually) and see what I was doing. Photography was a social magnet.

A few years later, in college and during the Vietnam War era, photography opened up the greater world to me. I met different folk than the ones in the small resort town where I had grown up. I even met a famous one from time to time.

A word about fame, something I know a little about. I grew up in a town filled with famous people (Palm Springs, CA) and learned very early not to make a fuss over folks who have been afflicted with it. Leave ‘em be, talk to them normal, change the subject away from them. Some of them might even make the grade to friendship. But, I ramble.

I am a walker. Love to walk the streets of a town. Rome, Paris, New York, San Francisco, Palermo, Naples, Chicago, Dallas. I once walked the route on Elm Street in Dallas where JFK was shot (grassy knoll) to the shop on the same street where John Hinckley bought the gun that he shot Ronald Reagan with. On a hot July day I took my trusty Canon VIT rangefinder and a new Canon AE1 and did my own shooting. The Dallas of that day has altered greatly.

New York? Since 1975, I have trudged the streets of that city camera and wine bag in tow. My childhood friend and photography co-conspirator Bruce took a fabulous street shot, worthy of a Weegee. Bruce went on to become a movie mogul and one of the greatest collectors of photography in the world. And still a friend and drinking buddy.

I spent time in the NY scene with Diane Arbus’ teacher, Lisette Model. Not much time, but enough to remember one cold afternoon in January in her apartment. I had already been to Arbus boot camp. It started in California and concluded in a bar in Milwaukee, a bar right out of the collective mind of Kubrick, Serling and Lovejoy. I had walked onto the set of a world that someone like Diane Arbus lived daily. And it scared the holy crap out of me.

I had my time with the world of reportage and photojournalism. One photographer from Magnum, to remane unnamed, asked my help in getting him and his art director through Tijuana for a photo shoot. An ad campaign for Pentax. I thought it odd that the photographer almost exclusively used his Leica M3 for the assignment. When I asked him, his answer seemed cynical at the time. Now, I think he was like a sushi chef, just using the best knife he had to cut the Toro.

And the old masters, so many of them I was lucky to encounter, sit awhile and soak up their greatness. They were called the f64 group. My entry was through Imogen Cunningham and Ansel Adams. In the darkroom with Ansel was a breakthrough, I still remember the warmth of that little room, and not in a creepy way. How often is it you can stand in the dark and be dazzled with brilliance?

Imogen. Petite, but never diminutive, cantankerous, strong willed and boy crazy. But a vision and a determination to walk her trail without fear. Imogen was a wonderful mentor to me in life.

On the fringe of the f64 group was Wynn Bullock. Wynn was the one who taught me about the vision thing. He schooled me in the philosophy of perception. Thanks to Wynn, some of the best photography I have ever taken was without a camera. I remember how supportive he was when I came back from NY, explaining to me that he also had to take NY in measures, not in giant doses. Like him, I needed the horizon.

My dad was a photographer and a film maker. I still have hours of 16mm reels of film he shot, some of it family, some Italy, and also Old California footage. He always thought I should take more sunset pictures.

Being a black and white kind of guy, I could never understand why he wanted to thwart my path. But fathers do that to their son’s even when they aren’t conscious of it. I love to watch sunsets (like sunrises better) but not to shoot.

My college teacher, Philip Welch, introduced me to many of the West Coast school. He was a student of Frank Lloyd Wright and had given me the entrée to that world. He told me about famous people. He said, “Call them up, knock and their door. If they are truly great they will talk to you, if not, they are only famous. You want to meet greatness, not fame.”

I’ve had a few friends through the years who made it to fame, but not quite to greatness. I have also had more than my share of friends who bypassed fame and went straight to greatness. I have photographed them, opened bottles of wine with them, danced with them, laughed with them, cried with them and walked through pools of Jell-O with them.

All along the way there has often been a camera nearby, my consigliere of consciousness.

photographed and written by Alfonso Cevola limited rights reserved On the Wine Trail in Italy

Sitting on a Hill, Looking at a Sunset

Monterey, California

Many years ago a teacher told me if I wanted to meet someone famous or important, that I should get in touch with that someone. I did that with a photographer, Wynn Bullock, whose photographs are on this posting.

I called him up and he told me to come and visit him. We talked for several hours. He was a philosopher; spoke a lot about dark and light, the spaces between the film grains.

I learned a lot from him, not just about photography. To him, photography was a means to seeing the world, seen and unseen. You didn’t need to have a camera.

When I last saw him, he was talking like he was preparing to transition from this life to another. I thought he sounded like someone who was dying. Maybe it was just a young man looking at an elderly person, thinking that it was inevitable.

Go into your wine cellar, go to your wine rack. This weekend, open a bottle of something really special, something you have been saving or perhaps spent a lot of money to acquire. Forget how much you could re-sell it for, open the darn bottle, with friends or family.


I don’t have a lot of words, the picture of the typewriter pretty much says it all in this moment.

The images were recorded in California, but they could be Italy, or anywhere.

More later this week.


Photographs by Wynn Bullock