Third and final installment of my interview with Rebecca Murphy. This last part is shorter and more conversational, but it does provide a coda. And a perfect lead up to events this weekend in Dallas, Texas, where we are in the 12th year of Texsom. As hard of a ticket to get as Burning Man, but 1,000 souls, for some reason, want to stand in air-conditioned rooms, in business attire, for a long weekend and get their wine knowledge on. Becky, as I’ve written before, paved the way for many folks that will be in these rooms. And if you are a young woman (or young man) take time to find her and say hello to her and thank her. For sure, many of us are seeing far because we have stood upon the shoulders of giants like Becky.
Showing posts with label The Ascent of the <Female> American Sommelier. Show all posts
Showing posts with label The Ascent of the <Female> American Sommelier. Show all posts
Sunday, August 14, 2016
Sunday, August 07, 2016
The Ascent of the Female American Sommelier - Interview with Rebecca Murphy - Pt.II
This is the second part of an extensive interview I did with Rebecca Murphy. Again, it’s long, but that’s life. The first in this series, The Ascent of the Female American Sommelier - Interview with Rebecca Murphy - Pt.I , was well received, so I chose to post the second part. There is a third (and shorter) part coming next week in the lead up to Texsom here in Dallas. I think it is a valuable record, especially to the young women and men aspirants in wine to see one person’s successful (and exemplary) path in the wine business. Becky is a trailblazer and a role model – and there a few out there who could probably benefit with being mentored by her - maybe even starting at Texsom.
Something happened once at Arthur’s. Behind the restaurant there was mall area. You had a group of California winemakers pouring their wines. How did that come about?
I said earlier that I wound up being in charge of doing P.R. stuff for the restaurant. Part of it was doing wine events. I think I remember Robert Lawrence Balzer was one of the reasons for this. And it made other people pay attention because the tasting you're thinking about was with the Sonoma County Wine Growers. I remember meeting Harvey Posert at the time who was working with the Wine Institute and these tastings benefited the local P.B.S. station. These were the ways we did events for people to come to. They were sort of P.R. and educational events because we would have that big tasting. We'd also have a press lunch. There might be a seminar in there somewhere They were ways to get people and the press to notice the restaurant. That's the way I got some writing gigs because I would invite Betty Cook and Waltrina Stovall and Dotty Griffith and Byron Harris (from the ABC affiliate). He would say “I don't write about wine.” And I would say, yeah, I know but you like wine. Come to the event. So I used those events to be P.R. vehicles for the restaurants and to meet the media and got to know a lot of media. And I was complaining that there was no local person writing that was back in the day of the Dallas Times-Herald- Two newspapers in town. Wow, go figure. So there are a lot of media people then. So I would invite them to come to the restaurants and attend these things and complain that there was there wasn't anybody locally writing about wine. Betty Cook is the person who finally said, “What would that look like?” And that's when I started doing tasting flights for the Dallas Morning News Sunday magazine. That was when both newspapers had a Sunday magazine. Both papers had to have a Sunday magazine, it was a competitive thing. As soon as the Morning News bought the Times-Herald, there went the Sunday magazines.
But Robert Balzer at the time wrote for Travel Holiday magazine and gave out the Travel Holiday restaurant awards and Arthur’s and Old Warsaw were always on the list and he would come to town. He contacted us because he would go through different cities with a group of six winemakers. And they were Michael Mondavi and Eric and Phil Wente, Rodney Strong, people like that. Principals from the wineries. And so we would do events with them. And that was again a great way for us to get to know those people and to have them see our restaurants.
Robert Lawrence Balzer and Becky, ca 1980 |
Something happened once at Arthur’s. Behind the restaurant there was mall area. You had a group of California winemakers pouring their wines. How did that come about?
I said earlier that I wound up being in charge of doing P.R. stuff for the restaurant. Part of it was doing wine events. I think I remember Robert Lawrence Balzer was one of the reasons for this. And it made other people pay attention because the tasting you're thinking about was with the Sonoma County Wine Growers. I remember meeting Harvey Posert at the time who was working with the Wine Institute and these tastings benefited the local P.B.S. station. These were the ways we did events for people to come to. They were sort of P.R. and educational events because we would have that big tasting. We'd also have a press lunch. There might be a seminar in there somewhere They were ways to get people and the press to notice the restaurant. That's the way I got some writing gigs because I would invite Betty Cook and Waltrina Stovall and Dotty Griffith and Byron Harris (from the ABC affiliate). He would say “I don't write about wine.” And I would say, yeah, I know but you like wine. Come to the event. So I used those events to be P.R. vehicles for the restaurants and to meet the media and got to know a lot of media. And I was complaining that there was no local person writing that was back in the day of the Dallas Times-Herald- Two newspapers in town. Wow, go figure. So there are a lot of media people then. So I would invite them to come to the restaurants and attend these things and complain that there was there wasn't anybody locally writing about wine. Betty Cook is the person who finally said, “What would that look like?” And that's when I started doing tasting flights for the Dallas Morning News Sunday magazine. That was when both newspapers had a Sunday magazine. Both papers had to have a Sunday magazine, it was a competitive thing. As soon as the Morning News bought the Times-Herald, there went the Sunday magazines.
But Robert Balzer at the time wrote for Travel Holiday magazine and gave out the Travel Holiday restaurant awards and Arthur’s and Old Warsaw were always on the list and he would come to town. He contacted us because he would go through different cities with a group of six winemakers. And they were Michael Mondavi and Eric and Phil Wente, Rodney Strong, people like that. Principals from the wineries. And so we would do events with them. And that was again a great way for us to get to know those people and to have them see our restaurants.
Sunday, July 31, 2016
The Ascent of the Female American Sommelier - Interview with Rebecca Murphy - Pt.I
Rebecca Murphy at Il Sorrento 1974 |
Last week, with the post, You've Come a Long Way, Baby! - The Ascent of the Female Sommelier, there was lively discussion about the history of the sommelier in America. With that, the role of the female, then, as now, has evolved, changing the social landscape. The wine business has long been a bastion of uniformity – mainly white, mainly male - and one which outsiders often see as an impenetrable boy's club. But there are those who have driven a wedge into it and blazed their own unique trail. Rebecca Murphy is such an individual. I’ve known Becky for 30+ years and have watched her ascent into the wine world to where she is now a revered and iconic force who has changed the history of the wine business in America. Becky started out as a sommelier, moved up to a corporate wine director and then started her own consulting business, which encompassed wine trade events, one of the most important wine competitions in America, and years of writing about wine. Becky, to use a well-worn phrase, is a Renaissance woman. But she is also a formidable person, one who had to fight and defend every position, every dream she had, using the sheer force of her will. Here is part one of a two (or three) part series. It’s longer than the average attention span of a blog reader. But it’s an important story and one I hope, with the help of Becky’s own words, to share with those of you who have the time and patience to endure the length. After all, it is the story of one person’s life in wine – and it took them a lifetime to get to this point.
Where did you start as a sommelier? Were you America’s first female sommelier? Was this your first foray into the wine business?
It was definitely my first foray into the wine business. I don't know if I'm the USA's first woman doing this job, if I'm not I'm one of the first. And I'm pretty sure I was the first woman in Texas. I've been looking through some newspaper clips. I certainly didn't read about other women and when I started I needed a job and I went to work for Mario (Messina of Il Sorrento in Dallas). My first husband I were getting a divorce and I moved back to Dallas because my in-laws were there and they've always been there always been very supportive. I needed a job and I my only real professional experience as a flight attendant. I had two five year-old boys, so that wasn't going to work. And so Mario gave me a chance, gave me the opportunity, to work as a cocktail waitress. And there was a young guy working there (as a wine steward) who was a college student and went back to school after I was there about three months I told Mario that I'd like to have that job and he said, “Rebecca, you can't carry the boxes.” Of course, because he kept the wine up (in the cool room) in the attic. I finally said just let me just let me come in on my night off for a few times and do the job, and if I don't make a fool of myself or you, I want the job. And that's pretty much the way it went.
Sunday, July 24, 2016
You've Come a Long Way, Baby! ~ The Ascent of the Female Sommelier
Dallas, Texas USA - 1980 - Sommelière Sharman |
She was a force of nature. Very tough lady. She had to be. Her world was filled with macho narcissists, who had little or no regard for her talent or her strengths. But she was a selling machine.
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