A Cautionary Tale - The Insolent Sommelier Pt. I

This is a tale about a most miserable wine steward

When Primo Sguattera first saw his son, Segundo, in the hospital, he couldn’t recognize any similarity between him and the newborn. He was so small, and remained that way into adulthood. Primo thought Segundo might not be his son, more likely the pairing between his wife and the weather-beaten scarecrow out in the corn fields outside of Tijuana where they lived.  But his wife swore she’d had no other man, even if Primo was less than the most desirable choice for a husband and a father. Fate had it that way.

Segundo’s mother, Maria Teresa, was a mother and a martyr. She had been named by her grandmother, who had the ability to sense the future. So, she prepared Maria Teresa for her future, giving her a name that would explain, in two words, her life to herself. That made for little happiness, if indeed at least there was some clarity to it all.

And the Beat Goes On – A Propitious Epiphany in Trento

For Roger…

There are those moments that sneak up and drop a lifechanging effect on you. It might be something as simple as the change of the light upon a tree you look at every day. And then suddenly, as summer merges into autumn, it’s as if you’d never seen it with such clarity. Or it could be a simple sniff of a wine that transports you back to when you were a teenager, sitting in a darkened theatre next to your first girlfriend. All of a sudden, your arm is around her shoulder and the two of you are getting ready for your first kiss. All from a dessert wine from Friuli, or Denmark.

So it was, one spring evening in the town of Trento. I wasn’t looking for it. But something was stalking me, waiting for me at the bar where I eventually sat down at.

Your Ice Cream is Melting

I’ve wandered so far off the island, at this point, for those of you who are still stopping by, here goes nothing.

I’m fixated on this relationship thing, post-career. And along with that, the transactional piece of those relationships we thought possibly more than they were.

It has hit home more than once in the last year or so. I’ve allowed for the epoch we find ourselves in: pandemic, social striation, a general turbulence in the balance of things on earth. Probably not something new, in geologic time. But for those of us in the here and now, it can be a bit disconcerting. Oh, and also, our ice cream is melting.

So, when I saw this post from an erstwhile associate, it gave me pause.

“Community. It’s a concept that is lost on a lot of people these days. I have been a part of many communities but none so important and fulfilling as the amazing people I have met in my life in food, wine and hospitality. A special bunch they are. I have always appreciated how people in the biz would genuinely applaud other people’s successes. You don’t find that in all industries.”

I know that feeling. Probably there are some reading who do, too. It felt real. It was real. Then.

Wine, Women and Watches – Gathering Joy in the Long Lunch

I’m kinda in a mood. Not the Glenn Miller kind. More of a Billie Eilish/David Byrne kinda mood. I’m played out with wine writing. Can’t read it. Can barely write it myself, these days. I’m so doggone burnt out with stupid words and clichés, and drama and asinine tasting notes, and the same old repetitive crap, all the blasted time, parading as wine (and food) writing. Who in hell cares what anyone drank (or ate) in Jackson Hole or Bucaramanga? The narcissists and cliché curators have taken over wine and writing about it, at least on the open internet. It’s done, they’ve killed the “thrill” of it for me. And, from the notes I get from others, I’m not alone. Not that it should matter. I am an introvert, after all. In the past two years, I’ve learned to live in relative solitude.

That’s why my weekly lunch, outside the home, is probably a good idea for my mental health. It’s like going to confession, but with food and wine.

What makes a wine great?

From the archives

"They say that life itself is really just the dead on vacation." - Tom Waits

Over the years my ideas about wines have changed a little. A lot less than I would have thought. Looking back over 35+ years of seriously tasting wine, there have been moments when I tasted greatness. What was it about those moments? Was it the stage the wine was in, a moment coinciding with its peak? Was it the season? Was it my physiology? Was it a magical confluence of all the above and more? Or was it just dumb luck?

What makes a wine great? It’s in the back of my mind all the time, a touchstone sought and rarely found. Not that the pursuit of great wines is my primary task. I must constantly taste and evaluate wines for my work that needn’t be great. They just need to be good enough, or good values, or in-offensive. Not all days are vacation days. But this is not the time for that discussion. Today, I am pursuing greatness. So what is it that evades these pages, darts about, zips off the screen like a dragonfly or a refraction from a light source? Where does one find this greatness factor?

Are You Collecting or Connecting?

From the archives

As I look through the wines in my closet, or study a wine collection from a deceased doctor or lawyer that the widow is trying to make sense of, I wonder about the nature of one’s relationship with wine. Odd to say it that way, as wine isn’t a person, how can one have a relationship with it? What one can examine, though, is one’s way of relating to wine and the people and places that make up the story of wine.

By the Bottle: Brian Cronin

Wine lovers on wine and the vinous life.

Antarctica 2021

I think it was at a Society of Wine Educators conference where I first encountered Brian Cronin. Since then, I’ve followed his path. He’s deep into wine education, but not limited to wine alone. An accomplished sommelier, chef, photographer (all the photos here are his), a long-distance runner (@runningwineguy) and a world traveler. Brian’s segment here is probably the one most similar to the By the Book segments that I read every Sunday in the NY Times: Concise and to the point – no bullshit. Please welcome Brian into the wine cave.

Wine Jars Filled With Silver – Bolgheri’s 25th Anniversary Fête de Compli

It’s quite easy to consider the time we are living in is somehow unique. A world-wide health crisis, both physical and psychological. Fluidity among many people in regards to their version of events, and truth itself. Reverberations felt when encountering ostentatiousness. Reluctance, or perhaps apprehension, to return to a state of being where all the present dangers and fears cease to exist. And restlessness, the urge to get back on the dance floor, to wander among strangers, to sit, to talk, to eat, to drink, to commune. All of this swirling about many of us, those of us who are not fighting for our life on a ventilator in Boise or Belluno. All this desire to reclaim what was lost, to catch a glimpse of hope, to dream in real time. To return to “things the way they were.”

By the Bottle: Jeff Siegel

Wine lovers on wine and the vinous life.

Jeff Siegel is the Rubik’s Cube of wine writers. Every time I think I’ve getting close to having the colors lined up, the next move flips me back into chaos. Jeff is a bit of a puzzle to me, and that’s kind of why I like him. You never know what’s going to pop up. Oh sure, he says he’s “someone who has made cheap wine his life’s work and isn’t embarrassed about the choice.” But he loves the expensive stuff too. It’s just not his beat. As the Wine Curmudgeon, Jeff has carved out a niche, and has actually monetized his blog, something most bloggers have failed to do. He also has a book, which proves that not just Jamie Goode can get a wine book published these days. Anyway, I digress. Let’s welcome the man who questions what really makes a wine “great” but is a stickler for it having to be “honest.”

What wines do you have standing up right now?

Almost all my wines are standing up. When one writes about wine that people buy in supermarkets to drink that night, there’s not much need to put anything down.

50 years ago ~ notes from Rome ~ September, 1971

It had been almost a month since I’d first arrived into Italy. I’d crisscrossed the country - down, then up, then down again - and now back up to Rome, to ultimately catch my flight back home to California. I’d wasted a little time on trains, and in Florence and Positano. But I also relaxed a little bit and got into “Italian time.” I imagined, that if all went well, I’d be back someday. I didn’t feel the need to “see everything” and “do everything,” an affliction which inculcates most American tourists. I’d find a way. Little did I know then, that fifty years later I had been able to devise a life and a career which took me back to Italy, on average, more than once a year for fifty years.

What Italy did to me on that first visit, my baptism of sorts, was to let me know there was a world outside of California, that was every bit (and then some) worth my time. Or not, if I chose not to. It was all up to me to pursue Italy. She wasn’t going to chase me. I knew that drill. I got it. I’d be back, someday.

By the Bottle: Esther Mobley

Wine lovers on wine and the vinous life.

Photo courtesy of the San Francisco Chronicle

I met Esther at the Symposium for Professional Wine Writers at Meadowood Napa Valley, and saw her talent and her zeal in its budding stages. She has blossomed into one of the most influential wine writers in America as the wine critic at the San Francisco Chronicle. Esther exhibits endless energy for wine and writing about it, and her perch from the Bay City in Northern California offers her a vantage point that few wine writers have these days. Thankfully her audacious ardor supplies her wide range of subjects with a sincerity of spirit. Please welcome Esther into the bottle room. 

 

What wines do you have standing up right now?

Well, I have a lot of wines standing up right now, maybe a few dozen, because I've run out of space in the wine racks and wine fridges in my apartment. I have a whole wine cellar at the Chronicle office, but I haven't been working from there since March 2020, so my apartment and garage have become quite crowded with bottles.

50 years ago ~ notes from Positano ~ September, 1971

Positano ~ 1971

It had been several weeks since I’d first landed in Italy. I’d seen Rome, I’d seen Florence, I’d visited my family and seen lots of Sicily. I needed to see some water, to swim in the sea, and to kick back before going home. Positano called.

By the Bottle: Carmen Castorina

Wine lovers on wine and the vinous life

 

I’ve known Carmen for awhile now. He’s one of the best storytellers in the wine biz. He knows everybody. He’s been around for ages, so he has “all the dirt” on almost anyone who's anyone. Not that he’d ever go down that road. No, Carmen is a guy who loves life, family and wine. In 2014, he retired as the chief storyteller for the Gallo family. And before you put your high-hat on, don’t. We all started out somewhere, and in the early days the paths were fewer and far between. But he navigated through a large family company during one of the most historic epochs for wine, and especially wine in California. That said, Carmen isn’t the man in the grey flannel suit. No, he’s more of a stretchy polo and linen shorts guy now, especially in North Texas, where we are still enduring high 90+⁰F days, blistering sun and heat, heat, heat. And you wonder why we drink so much white (and rosé) wine down here? Anyway, I am a huge fan of Carmen, and now you can be too, if you so desire.

 

What wines do you have standing up right now?

As I continue to purposefully “drink down my cellar”….

Peter Lehmann The “Mudflat” Shiraz 2000, Fontanafredda Barolo 1974, Chateau Montelena Cabernet Sauvignon 1988, A. Rafanelli Zinfandel 1997, Clarendon Hills Romas Grenache 2006, Summus 1997, Benanti Serra Della Contessa 2001.

50 years ago ~ notes from Florence ~ September, 1971

Saying goodbye to my Sicilian family at the dock, I got on the boat and returned to Naples. From there I took a train to Florence. I was an art student (mainly photography, but a well-rounded course of classes), and Florence seemed like a good place to visit. The Italian holiday was tapering off, people were returning to their towns and villages, so I did as well. I had two more weeks in Italy before I had to be back at class in Santa Clara.

Looking back now, probably the best thing would have been to stay in Sicily, and dive in deeper. But I didn’t want to take too much advantage of my relatives’ hospitality. And I knew I’d be back. Florence called.

By the Bottle: Emily Huang

Wine lovers on wine and the vinous life.

I met Emily in Barolo a few years ago, where we were both attending Collisioni at the invitation of Ian D’Agata. Emily lives in Taiwan, and on social media her nom de plume is @unpoalticcia. She radiates a quiet serenity, or as we used to say in Rome a couple of millennia ago, “Altissima quaeque flumina minimo sono labi.” She is essential to the future of wine and Italian wine. I learned some new things from our exchange below. So glad she contributed and participated in this series, please give Emily a warm welcome.

What wines do you have standing up right now?

I am having a Freisa from G.D. Vajra. I found it most interesting is the spark between the wildness in Freisa and the elegance from Vajra. Theirs is a bigger wine with darker fruit accents than usual, but that like all Freisa wines ages extremely well and expressing aromas and flavours with age that are remarkably similar to Nebbiolo’s.

To be honest, I am so obsessed with Italian native grapes and Freisa is really one of the greatest, but the simple truth is that the country has just so many great wine grapes, many of which most wine lovers have never even heard of, it is nothing short of amazing.